Literature & Fiction (50)

In I’m Telling the Truth, but I’m Lying Bassey Ikpi explores her life—as a Nigerian-American immigrant, a black woman, a slam poet, a mother, a daughter, an artist—through the lens of her mental health and diagnosis of bipolar II and anxiety. Her remarkable memoir in essays implodes our preconceptions of the mind and normalcy as Bassey bares her own truths and lies for us all to behold with radical honesty and brutal intimacy.

From Napoléon Bonaparte and Frida Kahlo to Nelson Mandela and Ayn Rand, glimpse the ardors of artists, painters, writers, and more in this touching volume of beautiful missives, from the author of the bestselling Letters of Note collectionsBeethoven yearns to see his famously unknown Immortal Beloved. A Victorian farmer proposes marriage to a woman he's never met. Zora Neale Hurston gives her ex-husband relationship advice. Mildred Loving asks the ACLU for help challenging the racist marriage laws of the Jim Crow South. Revealing deep, eternal truths from the heart, this intimate collection of 30 letters traces all of love's incarnations, from first blush and mutual enchantment to unrequited feelings and the ache of passions past. It offers a rare, passionate, and timeless look at what it means to love and be loved.

We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase “Did you see?” The feeling that we’re living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten - and each new catastrophe distracts us from the last.The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end - if indeed it will - and why we can’t stop fantasizing about it.Can we avoid repeating history? Can we understand our moment from inside the moment? With The Unreality of Memory, Gabbert offers a hauntingly perceptive analysis of our new ways of being and a means of reconciling ourselves to this unreal new world.

A collection of Sojourner Truth's iconic words, including her famous speech at the 1851 Women's Rights Convention in Akron, OhioA former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.

Seventy-three tales in all, plus fifty-three poems and a generous sampling of Poe's essays, criticism and journalistic writings.

For Jill Bialosky, certain poems stand out like signposts at pivotal moments in a life: the death of a father, adolescence, first love, leaving home, the suicide of a sister, marriage, the birth of a child, the day in New York City the Twin Towers fell. As Bialosky narrates these moments, she illuminates the ways in which particular poems offered insight, compassion, and connection, and shows how poetry can be a blueprint for living. In Poetry Will Save Your Life, Bialosky recalls when she encountered each formative poem, and how its importance and meaning evolved over time, allowing new insights and perceptions to emerge.While Bialosky’s personal stories animate each poem, they touch on many universal experiences, from the awkwardness of girlhood, to crises of faith and identity, from braving a new life in a foreign city to enduring the loss of a loved one, from becoming a parent to growing creatively as a poet and artist. Each moment and poem illustrate “not only how to read poetry, but also how to love poetry” (Christian Science Monitor).

A stunning masterclass on the creative process, the craft of writing, and the art of finding inspiration from Stephen King, Junot Díaz, Elizabeth Gilbert, Amy Tan, Khaled Hosseini, Roxane Gay, Neil Gaiman, and more of the most acclaimed writers at work todayWhat inspires you? That's the simple, but profound question posed to forty-six renowned authors in LIGHT THE DARK. Each writer begins with a favorite passage from a novel, a song, a poem - something that gets them started and keeps them going with the creative work they love. From there, incredible lessons and stories of life-changing encounters with art emerge, like how sneaking books into his job as a night security guard helped Khaled Hosseini learn that nothing he creates will ever be truly finished. Or how a college reading assignment taught Junot Díaz that great art can be a healing conversation, and an unexpected poet led Elizabeth Gilbert to embrace an unyielding optimism, even in the face of darkness.LIGHT THE DARK collects the best of The Atlantic's much-acclaimed "By Heart" series edited by Joe Fassler and adds brand new pieces, each one paired with a striking illustration. Here is a guide to creative living and writing in the vein of Daily Rituals, Bird by Bird, Draft No. 4, and Big Magic for anyone who wants to learn how great writers find inspiration - and to find some of your own.

You may "know" Jenny Slate from her Netflix special, Stage Fright, as the creator of Marcel the Shell, or as the star of "Obvious Child." But you don't really know Jenny Slate until you get bonked on the head by her absolutely singular writing style. To see the world through Jenny's eyes is to see it as though for the first time, shimmering with strangeness and possibility.As she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gasses that are science gasses, not farts (don't be immature). Heartbreak, confusion, and misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new, and so burstingly alive, we catch her vision like a fever and bring it back out into the bright day with us, where everything has changed.

From one of the great thinkers and writers of our time, comes the highly anticipated final installment in Deborah Levy's critically acclaimed "living autobiography" series.

A beautifully illustrated account of the letters and correspondence of Jane Austen.It has been said that Jane Austen the woman and Jane Austen the author are all of a piece, and nowhere is this more evident to the lovers of her novels than in the pages of her letters. This handsome celebration of Austen's letters is illustrated with portraits, facsimile letters, topographical engravings and fashion plates, all helping to bring to life the world Jane Austen inhabited.The letters, with an accompanying commentary by Penelope Hughes-Hallett, are separated into six periods of Jane Austen's life, between the years 1796, when she was twenty, and 1817, the year of her death. They celebrate Jane Austen's talent for expressing exactly what she perceived, making this an illuminating companion to her novels. Although the book follows a broadly chronological scheme, the letters are arranged round visual themes, including the Hampshire countryside, social life in Bath and London, domestic pursuits, paying visits and traveling by carriage.The author, who was born in Jane Austen's Hampshire village of Steventon, lectured on English Literature for the Open University and the Oxford University Department of External Studies.

Jonny Sun is back with a collection of essays and other writings in his unique, funny, and heartfelt style. The pieces range from long meditations on topics like loneliness and being an outsider, to short humor pieces, conversations, and memorable one-liners.Jonny's honest writings about his struggles with feeling productive, as well as his difficulties with anxiety and depression will connect deeply with his fans as well as anyone attempting to create in our chaotic world.It also features a recipe for scrambled eggs that might make you cry.

The story both of the real world of the Brontës at Haworth Parsonage, their home on the edge of the lonely Yorkshire moors, and of the imaginary worlds they spun for themselves in their novels and poetry. Wherever possible, their story is told using their own words – the letters they wrote to each other, Emily and Anne's secret diaries, and Charlotte's exchanges with luminaries of literary England – or those closest to them, such as their brother Branwell, their father Patrick Brontë, and their novelist friend Mrs Gaskell.  The Brontës sketched and painted their worlds too, in delicate ink washes and watercolours of family and friends, animals and the English moors. These pictures illuminate the text as do the tiny drawings the Brontë children made to illustrate their imaginary worlds. In addition, there are facsimiles of their letters and diaries, paintings by artists of the day, and pictures of household life.  This beautifully illustrated book offers a unique and privileged view of the real lives of three women, writers and sisters. 

Words Are My Matter is essential reading: a collection of talks, essays, and criticism by Ursula K. Le Guin, a literary legend and unparalleled voice of our social conscience. Here she investigates the depth and breadth of contemporary fiction--and, through the lens of literature, gives us a way of exploring the world around us.In "Freedom," Le Guin notes: "Hard times are coming, when we'll be wanting the voices of writers who can see alternatives to how we live now ... to other ways of being, and even imagine real grounds for hope. We'll need writers who can remember freedom--poets, visionaries--realists of a larger reality."Le Guin was one of those authors and in Words Are My Matter she gives us just that: a vision of a better reality, fueled by the power and might and hope of language and literature.

In this engaging and fascinating exchange of personal letters, two of the most influential gardeners of all time compare notes on successes and failures in their two very different gardens.As Christopher Lloyd and Beth Chatto convey their gardening experiences, share gossip and discuss life and nature, the horticultural expertise of these two long-established friends and distinguished gardeners gives these inspirational letters a life of their own.Beth Chatto’s garden in East Anglia is a place of pilgrimage for plant lovers, while Christopher Lloyd was one of the major figures in twentieth century gardening, transforming the gardens of his home Great Dixter in East Sussex.Friday 16 FebruaryDear Beth,     Today was straight out of my idea of heaven – the first such day this year and the first time that all the winter crocuses have opened wide, in appreciation. Armed with my kneeling pad, I dropped to my knees to savour the honey scent of C. chrysanthus ‘Snow Bunting’. Rosemary Alexander, who spends more and more time at Stoneacre (the National Trust property near Maidstone, which she rents), expressed doubts on whether it wouldn’t be better to concentrate on snowdrops, seeing that crocuses spend so much of their time in an obstinately closed state, loudly proclaiming ‘this isn’t good enough for me’. I can see her point, of course. […]Tuesday 20 FebruaryDear Christo,     What a good thing you enjoyed your crocuses when you had the chance! Today we are blanketed in snow once more, with a wild north wind hurling stinging dry snow horizontally past the windows. Your way of having crocuses (and many other bulbs) naturalized in short grass is a far more effective way of growing them than in conventional borders. Left to seed themselves in little knots and ribbons of colour they appear like embroidery across a carpet before something else takes over the design. […]

A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill Housei must stop writing letters and get to writing a novel.Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad.i am having a fine time doing a novel with my left hand and a long story—with as many levels as grand central station—with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet.Written over the course of nearly three decades, from Jackson’s college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson’s writing over nearly three decades.The novel is getting sadder. It’s always such a strange feeling—I know something’s going to happen, and those poor people in the book don’t; they just go blithely on their ways.Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy and featuring Jackson’s own witty line drawings, this intimate collection holds the beguiling prism of Shirley Jackson—writer and reader, mother and daughter, neighbor and wife—up to the light.